SORT OF AN ART BLOG

Art Ancestry

Art Ancestry

Memmo Di Filippucci (active 1303-1345) fresco painter. (above) “Scenes from a Marriage.”

If there are no artists in your family, you cannot help but wonder where your art genes came from. A number of artists I know have an architect or designer or someone in the visual arts in their backgrounds. For my entire life, I believed that I was a unique acorn. Turns out that there was a very large oak tree in my backyard from the 14th century.

I recently learned from a family member that our ancestor is Memmo di Filippucci, a 14th-century painter from Siena, Italy. That family member is my half-brother and he’s a lawyer, and lawyers like facts. None of us have ever had many facts about our distant relatives so Gunter is currently researching Italian archives in Europe and preparing an ancestry book.

Now I will have to add San Gimignano to my bucket list because Memmo di Filippucci’s (whose sons also became painters) fresco of marital life still exists in the Town Hall in San Gimignano, a small walled medieval hill town in the province of Siena, Tuscany. With a hot tub no less!! The town of San Gimignano is legendary for its examples of medieval architecture and castle towers. I find this astonishing since the primary subject in my work is the medieval warrior, Joan of Arc. She was born one hundred years after Memmo, and five hundred and seventy-four years later, Joan of Arc became my Muse.

In an article in the Santa Fe Journal, I once explained why Joan remained my primary subject for so many years… “She had no formal education, but she dictated remarkable letters about wanting peace. She was ignorant of the world, and yet she changed it. Her short life (she was burned at the stake at 19) was filled with wisdom.” Yes, these are some of the reasons. There are also emotional imperatives that drive me continually back to her but now that I’ve been introduced to Memmo di Filippucci, I can allow myself to believe that there is some genetic predisposition keeping me focused on an ancient historical figure.

For the longest time, I thought I was trying to find her voice. In fact, her legacy still speaks loudly all over the world. I now see that I am trying to find my voice through her. And my voice has just been amplified by some art ancestry. Nice to meet you, Memmo.

THE HISTORY OF FLOWERS

The History of Flowers

Imaginary Exhibitions

I started a series of imaginary promotional outdoor displays on Instagram for an imaginary exhibition at an imaginary venue. One imagines the imaginary venue could be The New York Botanical Gardens but one is free to imagine. The “History of Flowers” is about the necessity of compassion at a time when there is too much History about War.

VIEW THE IMAGINARY WORK

Jehanne August, 2018

Jehanne August, 2018

Her Fight Continues

Joan is still with us. Rebelling against abuse, Afghan women see signs of change. Suffering under the constraints of tribalism, poverty, and war, women in many countries are starting to fight for a just life.

JEHANNE, May 1431

Jehanne May, 1431

Obsessions

Before they burned her alive at 19, her head was shaved. Starved, weak, Joan of Arc died knowing that she had done the work she was intended to do. Although I have depicted her as a real woman, no-one really knows what Joan looked like (no portraits exist) but that is less important than perpetuating her legacy. For decades, this once living young woman has fascinated me. For me she is an obsession no different than Yayoi Kusama polka dots or a Cezanne apple or another row of bottles by the artist Antonio Morandi.

SANDRA FILIPPUCCI

Contemporary American artist now based in Santa Fe, New Mexico. Part of a group of New York artists working with technology since the mid-eighties and was the first artist to have a digitally based solo exhibition at The Museum of American Illustration in Manhattan. Filippucci’s primary subject is Joan of Arc.

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“Captivated by the mystique of Joan of Arc,  Sandra Filippucci passionately creates iconic imagery that is relevant to the issues of our time.” –Linda Durham, Curator for Voices of Light Exhibition

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